Translations
Original
Notes
Because Jerusalem acted like an unfaithful spouse, it was appropriate for her to face a similar punishment. God would symbolically strip her of her dignity, reversing the marriage metaphor of being clothed (see Ezekiel 16:8; Hosea 2:2–3).
Then the people would stone her (Leviticus 20:10; Deuteronomy 22:22). Since this would cover her naked body with blood, she would leave the world just as she came into it. This metaphor was fulfilled when the Babylonians destroyed the city in 586 BC.
In Ezekiel 16, Jerusalem is described as an unfaithful wife and a prostitute. This language is very strong. Even in English, the chapter can be difficult to read. In its ancient setting, it would have sounded even more shocking.
Ezekiel used graphic language to show how serious Judah’s sin was. He did not try to make his message softer or more polite. He spoke in a direct and forceful way.
This strong language is the main point of the chapter. Ezekiel wanted the people to feel how terrible their sin was in God’s sight. The shocking description helped them understand that God’s judgment was not unfair.
If Ezekiel had used softer words, the people might not have understood the full seriousness of their sin. The strong picture was necessary to show why God’s judgment was justified (that is, right and fair).
This section includes eight metaphors, each showing from a different angle the certainty of Jerusalem's upcoming judgment. The images are of:
a worthless vine (Ezekiel 15);
a faithless wife (Ezekiel 16);
a vine and two eagles (Ezekiel 17);
Sour grapes (Ezekiel 18);
a lion and her cubs (Ezekiel 19);
a sword (Ezekiel 21);
two corrupt sisters (Ezekiel 23); and
a cooking pot (Ezekiel 24).
Apostasy and Renewal Biblical Marriage God’s Covenants The Broken Covenant
Events
- Prophecies of Ezekielc. 593 BC
People
LORD: Names or title used to refer to God
Glossary
Adultery Bride of Christ Ezekiel, Book of High Place Hittites Sexual Immorality
Topics
High Places: Licentious Practices At Idolatry: Objects of Described as Idols of Abomination Lasciviousness: Figurative